“Step into the 55 North project at Manly Pacific, where Luchetti Krelle has created a cocktail lounge that effortlessly blends elegance with the laid-back charm of its beachside setting. Fabricut’s Modern Aztec-Raven fabric, sourced from India, brings a vibrant yet subtle flair to the scatter cushions, with bold patterns and spiced tonal accents that invigorate the space while maintaining a focus on comfort.”

“We sourced the Fabricut Bazaar fabric in blue for use as a custom made ottoman in our family friendly living room at our East Toowoomba 2 project. We find patterns in family zones are very forgiving for clients with little ones and all of the associated wear and tear! This room needed a vibrant fabric that was going to anchor the other patterned fabrics utilised in this layered room instead of competing with them… The paisley did just that! The trim was a fun addition that gave the ottoman some formality and structure and kept the multicoloured space looking refined.”

“Crafted by acclaimed Melbourne Architect Wayne Gillespie, this town house nestled in Armadale’s verdant embrace showcases Gillespie’s hallmark: spacious layouts and strategic illumination with natural light.”

“When reimagining the iconic Woolly Bay Hotel, Woolloomooloo, Luchetti Krelle took cues from the hotel’s waterfront location and the Med, with blue mosaic tiles, terrazzo and a pebble-grey paint job.”

“Step into the 55 North project at Manly Pacific, where Luchetti Krelle has created a cocktail lounge that effortlessly blends elegance with the laid-back charm of its beachside setting. Fabricut’s Modern Aztec-Raven fabric, sourced from India, brings a vibrant yet subtle flair to the scatter cushions, with bold patterns and spiced tonal accents that invigorate the space while maintaining a focus on comfort.”

“We sourced the Fabricut Bazaar fabric in blue for use as a custom made ottoman in our family friendly living room at our East Toowoomba 2 project. We find patterns in family zones are very forgiving for clients with little ones and all of the associated wear and tear! This room needed a vibrant fabric that was going to anchor the other patterned fabrics utilised in this layered room instead of competing with them… The paisley did just that! The trim was a fun addition that gave the ottoman some formality and structure and kept the multicoloured space looking refined.”

“Crafted by acclaimed Melbourne Architect Wayne Gillespie, this town house nestled in Armadale’s verdant embrace showcases Gillespie’s hallmark: spacious layouts and strategic illumination with natural light.”

“When reimagining the iconic Woolly Bay Hotel, Woolloomooloo, Luchetti Krelle took cues from the hotel’s waterfront location and the Med, with blue mosaic tiles, terrazzo and a pebble-grey paint job.”

“Step into the 55 North project at Manly Pacific, where Luchetti Krelle has created a cocktail lounge that effortlessly blends elegance with the laid-back charm of its beachside setting. Fabricut’s Modern Aztec-Raven fabric, sourced from India, brings a vibrant yet subtle flair to the scatter cushions, with bold patterns and spiced tonal accents that invigorate the space while maintaining a focus on comfort.”

“We sourced the Fabricut Bazaar fabric in blue for use as a custom made ottoman in our family friendly living room at our East Toowoomba 2 project. We find patterns in family zones are very forgiving for clients with little ones and all of the associated wear and tear! This room needed a vibrant fabric that was going to anchor the other patterned fabrics utilised in this layered room instead of competing with them… The paisley did just that! The trim was a fun addition that gave the ottoman some formality and structure and kept the multicoloured space looking refined.”

“Crafted by acclaimed Melbourne Architect Wayne Gillespie, this town house nestled in Armadale’s verdant embrace showcases Gillespie’s hallmark: spacious layouts and strategic illumination with natural light.”

“When reimagining the iconic Woolly Bay Hotel, Woolloomooloo, Luchetti Krelle took cues from the hotel’s waterfront location and the Med, with blue mosaic tiles, terrazzo and a pebble-grey paint job.”